Will technology drive us apart or bring us closer together?
					Edson Pavoni is an artist and technologist
					investigating human intimacy in its intersection with technology.
				
				
					Video introduction, 3 min.
				
			Selected Works
						site specific / 2022
					
					
						The first satellite from the Global South with an
						artistic mission. With it, anyone will be able to send
						to heaven the name of someone that has passed away.
					
					
					
						Orbital Temple in space.
3D rendering by RiseNY&Partners.
					
					3D rendering by RiseNY&Partners.
						Orbital Temple installation
						at the Mercosul Biennial, 
in Porto Alegre, Brazil. Photo by Clara Marques.
					in Porto Alegre, Brazil. Photo by Clara Marques.
							exhibition + performance / 2023
						
						
							The exhibition was the result of three years of research by 
							the artist on topics involving loss, memory and grief, 
							with an emphasis on the Covid-19 pandemic. The exhibition 
							is a development of the Inumeráveis Memorial 
							project, which has gathered thousands of stories of victims of the coronavirus in Brazil since 2020.
						
						
						
							What we cannot forget at Casa Cósmica, São Paulo.
Images by Estúdio Em Obra.
					
				Images by Estúdio Em Obra.
						performatic installation / 2022
					
					
						An installation made with brain monitors capable of
						reading the neural activity of two participants as they
						look at each other. The data collected is then used to
						create a generative drawing that is projected over an
						oil painting by Lyora Pisarro.
					
					
					
						Two people participate in the Landscapes of the Mind
installation, in New York, USA. Photo by the artist.
				installation, in New York, USA. Photo by the artist.
						exhibition / 2022
					
					
						A collection of AI-generated digital paintings that
						reinterpret what we consider sacred. Together with
						artist Juliana Freire, the works were co-created with
						software that analyzed over 14 million images of
						multicultural representations of what we think is holy.
					
					
					
						 Sacred in Flux shown in
						São Paulo, Brazil.
Photos by Filipe Berndt.
				Photos by Filipe Berndt.
						kinetic installation / 2022
					
					
						An installation that captures real-time wind movements
						of a protected forest in the South of Brazil and
						translates it into a kinetic 10-meter long panel with
						around 160 paper sculptures, assembled in one day by
						over 500 participants.
					
					
						
					
					
						The Crown Shyness installation.
Videos by Clara Marques and Piero Davila.
				Videos by Clara Marques and Piero Davila.
						architecture and digital platform / 2020-
					
					
						A digital platform and a plan for a physical monument
						dedicated to telling the stories of Coronavirus' victims
						in Brazil.
					
					
					
					
						
					
					
						Plan for the Inumeráveis Monument.
3D Renderings by RiseNY&Partners.
				3D Renderings by RiseNY&Partners.
						installation / 2020
					
					
						A 24-meter tall light sculpture that materializes the
						unseen connections of the Hungarian art world. Also an
						NFT collection made in collaboration with pioneer
						network scientist Albert-Laszlo Barabási.
					
					
					
						Invisible Blue at the Ludwig
						Museum of Contemporary Art.
Photographed by Bálint Jaska.
				Photographed by Bálint Jaska.
						kinetic installation / 2019
					
					
						An installation consisting of six self-watering hanging
						gardens that move, through a specialized mechanism,
						according to the plants' needs. When approached by human
						visitors, the garden places itself at their eye level.
					
					
					
						
					
					
						Over the Face of New Waters, images by Gee Galvão.
					
				
						scenography / 2019
					
					
						An immersive experience at the intersection between
						theater and performance. Written and starred by Gabriela
						Veiga, the play uses generative projections and visuals
						to explore themes of pain, beauty, mourning and life
						after death.
					
					
					
						
					
					
						Gabriela Veiga interacts with projections made using
						generative
technology. Images by Rodrigo Rosa and Giorgio D'Onofrio.
				technology. Images by Rodrigo Rosa and Giorgio D'Onofrio.
						site-specific installation / 2018
					
					
						An interactive mirrored installation that gets activated
						when three visitors stop in each of the installation's
						corners. It addresses an intense state of connection in
						which its result leads to the fragmentation of its full
						structure.
					
					
					
					
						Participants engage with A Petal for Three in São Paulo.
Photographed by Rafael Socrates.
				Photographed by Rafael Socrates.
						kinetic installation / 2017
					
					
						A 22 meter panel that reflects walkers passing by
						through algorithmic generated creature-like images that
						react to their movements.
					
					
					
					
						The White Mirror panel
						gets activated when visitors pass by it.
Images by Rafael Socrates.
				Images by Rafael Socrates.
						photography series / 2015-
					
					
						An ongoing photographic series in which the artist
						researches human responses to touch and the quality of
						the connections that arise from this act.
					
					
					
					
						First Sense is an ongoing
						photography series 
by Edson Pavoni.
				by Edson Pavoni.
						installation / 2013
					
					
						A performatic installation that transforms participants’
						love stories into unique 3D printed sculptures.
					
					
					
						
					
					
						The Love Project was a
						performatic installation.
Images by Jorge Teivelis Neto.
				Images by Jorge Teivelis Neto.
						site-specific installation / 2013, 2015
					
					
						A sensory bridge first installed between China and
						Brazil. When one person touched the glass of the
						installation in Beijing and another touched the glass in
						São Paulo, the two physically felt as if they had
						touched each other. In 2015, it was also presented in
						two different districts of Dubai.
					
					
					
					
						
					
					
						A Place to Departure in
						China, photographed by Pedrinho 
Fonseca. Images of the installation in Dubai by Edson Pavoni.
				Fonseca. Images of the installation in Dubai by Edson Pavoni.
Poetry
In Honor of the Land
							2022
						
						
							in honor of the land
I pledge my attention
to the mountains of colored minerals
that raised themselves
before there were any eyes to see
how the sky painted them with light
							
in honor of the land
I pledge my attention
to the green fields that spoon
the gray line of the horizon
were the last wild horses run
							
in honor of the land
I pledge my attention
to the ocean of green trees
the forest being protect by my ancestors
and the xapiripë spirits
							
in honor of the land
I pledge my attention
to the rivers from below
painted in gold by the nearest star
drawing themselves
in curved unproductive lines
in no hurry to find the ocean
							
in honor of the land
I also pledge my attention
to the rivers of above
swimming in the sky before being rain
							
and the rain, my friend,
way before touching anything
will seduce you with its perfume
as Oxum, the Orixá of seduction does
							
in honor of the land
I pledge my attention
to the best roommates on this planet
the other sentient beings
having the best time when we are not around
							
in honor of the land
I pledge my attention to outer space
our environment above the sky
with the lights from the past
and the technology of the present
helping me see our world as finite as I am
							
in honor of the land
I pledge my attention.
						
						I pledge my attention
to the mountains of colored minerals
that raised themselves
before there were any eyes to see
how the sky painted them with light
in honor of the land
I pledge my attention
to the green fields that spoon
the gray line of the horizon
were the last wild horses run
in honor of the land
I pledge my attention
to the ocean of green trees
the forest being protect by my ancestors
and the xapiripë spirits
in honor of the land
I pledge my attention
to the rivers from below
painted in gold by the nearest star
drawing themselves
in curved unproductive lines
in no hurry to find the ocean
in honor of the land
I also pledge my attention
to the rivers of above
swimming in the sky before being rain
and the rain, my friend,
way before touching anything
will seduce you with its perfume
as Oxum, the Orixá of seduction does
in honor of the land
I pledge my attention
to the best roommates on this planet
the other sentient beings
having the best time when we are not around
in honor of the land
I pledge my attention to outer space
our environment above the sky
with the lights from the past
and the technology of the present
helping me see our world as finite as I am
in honor of the land
I pledge my attention.
							Video poetry, 2 min.
						
					Half Oxum
							2019
						
						
							behind the curtain of a waterfall
standing half Oxum half mirror
a woman showing no fear of being naked
opens her eyes looking exactly into mine
and without moving anything but her arm
takes a rose crystal egg from
the place in her body that bleeds
						
					standing half Oxum half mirror
a woman showing no fear of being naked
opens her eyes looking exactly into mine
and without moving anything but her arm
takes a rose crystal egg from
the place in her body that bleeds